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THE PROFILE AND MANAGEMENT OF DIASPORA PHILANTHROPY IN THE CORDILLERA

By Philian Louise Weygan Allan

February, 2012

 

Summary of the research for Oral Presentation

A. As to problem statement, conclusions and recommendations

Problem Statement

(Pages 72-73)

Conclusion

(Pages 174-183)

Recommendations (Pages 184-194)
1) What is the   profile of Diaspora philanthropy/giving with respect to

1.1 Donors/Givers and

1.2 Recipients?

1.a   Donors

There are substantial evidence of a   Cordillera region Diaspora Philanthropy.

1.b Recipients

All of the   provinces in CAR are recipients of Diaspora philanthropy.

1.a Recommendation   1

A staff   organization is recommended to further study the recipients and donors.

  1. 1.b.
  2. Recommendation 3
  3. Attach  proposal for an organization that will   enhance the matching of givers and recipients of Cordillera Diaspora   philanthropy.

1.c   Recommendation 5

A study on the   recipients and donors should further be made to give an idea on the matching   of needs and donations.

2 ) What facilitate the Diaspora   Giving in terms of the following factors

2.1 Cultural,

2.2 Socio-economic and

2.3 Political?

2.a

Cordillera   Diaspora Philanthropy is generally motivated by cultural and traditional   heritage.

2.b Diaspora philanthropy greatly responds to Socio Economic   needs including education, medical and relief.

2.a

Recommendation   1.

A staff   organization is recommended to further study the factors.

  1. 2.b
  2. Recommendation 3
  3. Attach proposal for an   organization that will enhance the matching of givers and recipients of   Cordillera Diaspora philanthropy.
3) What management   process is practiced/implemented in Diaspora giving/philanthropy regarding

3.1 Objective setting,

3.2 Profiling of recipients,

3.3 Methods of implementation,

2.4 Indicators of success and

3.5 Monitoring and Evaluation procedures?

3.a There is a   lack of documentation on the donors and recipients of Diaspora philanthropy.

3.b There are   management patterns that govern the Diaspora philanthropy.

3.c The project   management processes are wanting in some areas.

3.d   Leadership is assumed  and the   structures are formed through consensus among members of Cordillera Diaspora   philanthropic organizations although they remain voluntary and flexible.

Recommendation   1.

A staff   organization is recommended to further study management processes.

3.b Recommendation   2.

The project   development and management process of Diaspora giving needs

to be improved.

3.c Recommendation   4

A focused study be   conducted to assess the impact of the various Diaspora philanthropy in the   region specially those received by government and non-government agencies

3.d.   Recommendation 5

A study on the   recipients and donors should further be made to give an idea on the matching   of needs and donations.

3.e.   Recommendation 6

Case studies can   be conducted to focus on best practices of managing Diaspora   giving/philanthropy

b.SUMMARY AS TO RESEARCH FINDINGS

Problem Statement

(Pages 72-73)

Research   Data
1) What is the   profile of Diaspora philanthropy/giving with respect to

1.1 Donors/Givers and

1.2 Recipients?

Table 2 – Table on   Frequency as to location of Donors

Table 3 showing   the years the organizations were started

Table 5 –   Organizational Purpose And Location

Table 10 Profile   of Recipients as to location, kind of Assistance and Donor

Table 11 Summary of Recipients as to project purpose   per donor

Table   13-Recipients as to individuals/families and institutions

Table 14 No of   recipients as to municipalities, Provinces and cities of the Cordillera   Region

 

2 ) What facilitate the Diaspora   Giving in terms of the following factors

2.1 Cultural,

2.2 Socio-economic and

2.3 Political?

Table 10 -Profile   of Recipients as to location, kind of Assistance and Donor

Table 11 Summary of Recipients as to project purpose   per donor

3) What management   process is practiced/implemented in Diaspora giving/philanthropy regarding

3.1 Objective setting,

3.2 Profiling of recipients,

3.3 Methods of implementation,

2.4 Indicators of success and

3.5 Monitoring and Evaluation procedures?

Table 11 Summary of Recipients as to project purpose   per donor

Table 12 Summary as to aid to government and non   government institution/recipients

Table   13-Recipients as to individuals/families and institutions

Table 15 –Givers’   response to Impact of programs and project

Table 16- Givers’   Perception as to the presence of the Project Management Process

 

SILOKEN – SALIMAY CLAN

Panabungen, Besao

Four Children

First – Coman

Second – Mimitan

Third – Damgasen

Fourth – Lapayas

First Child Coman Married to Tandangan

1.Baolian married Sagumay

Children of first generation

1) Comawis married to Damyawan

2) Dai married to Modesto Ayeo-ew

3) Sameoseo married Raymunda

2.Baldos

Second – Mimitan married to Seaden

1.Balangyao married to Laggomay

Children

1.Banglate married to Gayamen

2.Cerilo married t Taggon

3. George married to Dumanay

2. Sayen married to Duday

Children

1. Banayan married to Dasoy

2. Cal-ed married to Ol-olay

3. Bosigen married to Salbin

4. Seaden married to Landa

5. Tanaaw married to Layao Ocyo

3. Laayan married to Manuel

Children

1- Lepan

2. Dammogey

3. Saya-ao

4. Rosaria

4. Weygan married to Engway

1. Biddo-os married to Ana Pal-oy

2. Bittano married to Bayoya Batay-an

1.

Bittano married to Paulo Domocmat

1. Henry

Weygan married Katimban

Children

1. Soliman married to Dalmas

1. Constance + Mauro Damian

2. James

3. Rosita

4. Juanito + Patricia

5. Adeline

6. Junior

7. Susan

8. Davis

9. Cornelia

10.Roy

2. Pedro married to Nena

1. Fermin

Pedro married to Cresencia

1.Helen

2. Carol

3. Teddy

4. Julie

3. Galo married to Maria Cuanguey

Children

1.Galo Jr married to Grace Almacen

2.Joyce

3. Philian Louise * John Allan

4. John +Liza diator

5.Evangeline + Aquilino Antolin

6. Andrew + Yora Kiako

7. Marlene + Samuel Baluyot

8. Jennifer + Jayson Martin

4. Mary married to Roger Balaki

Third – Damgasen married to Atondi

1. Sagmayao married to Guinay

1. Daliwa married to Sabino

2.Singgoway + Macli Balasiw

3.Idanan married to Lawlawey

4. Raymundo married to Olangay

5. Simcon married to Ernesty

6. Vicente

2. Songadan married to Mosillem

1. Pasingan +Solig-ay

2. Masayo + Andalis

3. Bilyan + Angway

4. Dayoman + Kidasay

5. Boteng+ Kinay

3. Dinayen Married to Songaben

1.Binggay+ Watay

2. Kiddat + Tanacia

3. Tablan + Damey/Payga

4. Tennis + Elnan

5. Piluden + Minang

4rth – Lapayas married to Lagman

1.Matbagan married Dadmekan

1. Deliso + Gawani

2. Lesse + Lindawan

3.Boaay

Matbagan married Lagmay

1. An + Pel-li

2. Teresa+ Domino

3. Cadopay + Siwab

4. Mayagan + Degsayan

5. Tagga + Martina

6. Caysoen + Elizabeth

2. Lapiyas married Linna-ay

1. Maggie + Addang-as

2. Gamorning + Paulo

3. Balag-ey

4. Catuting

5. Romana + Gabriel

A result of three Reunions in Panabungen, Besao by the Siloken Clan

Encoded April 10, 2009 – Philian Louise Weygan

“Come, let’s celebrate: Anitap Festival ed Kapangan”

Last Sunday, we had a choice spot in Mandarin Restaurant as we watched the Panagbenga Float Parade. My interest was triggered when my sister Marlene text the night before that they were still out doing the Assemblies of God float. So that information made me decide to watch. In Mandarin we joined some friends, including Robert and Rose Tinda-an, applause specially during the street dancing of the bands. The Country Club float deserve to be a Hall of Fame Awardee and I was expecting the previous awardees to be there as well, but I was disappointed as this was my first time to watch the Panagbenga Float Parade. After the parade the mass of people covered session road and it took some time clear before we could find our way to post office and finally to Athletic Bowl where members of the family took photographs of the float and the people.

Wikipedia defines festival as an event, usually and ordinarily staged by a local community, which centers on some unique aspect of that community. Among many religions, a feast or festival is a set of celebrations in honor of God or gods. The term “feast” has also entered common secular parlance as a synonym for any large or elaborate meal.

In the Christian Calendar, Christmas and Easter are the major festivals. Pentecost is one of the prominent celebrations named by Jewish traditions to be the 50 days after the offering of the barley leaf during the Passover feast. During the existence of the Temple the first fruits were offered as well as a sacrifice to two loaves of bread were made. This was likewise celebrated with much fun fare. After the book of Acts, Pentecost was celebrated to commemorate the descent of the Holy Spirit upon the Apostles. This was celebrated with prolonged worship. In the United Kingdom Pentecost is also called Whit Sunday, Whitsun, Whitsunday, Whitty Sunday.

For the first time, Kapangan will hold the “Anitap Festival ed Kapangan”, a cultural festivity that will showcase indigenous cultural and traditional practices of the people on March 17, 2009. This is part of the town fiesta celebration which will be held on March 14 – 18, 2009 with lined up activities of merriment and entertainment. The name of the festival is derived from the Anitap tree or scientifically known as Macaranga Cumingii.

It is the source of material for an indigenous musical instrument called Tallak used in the performance of Tallak dance. A traditional instrument and dance used during caňaos long before the coming of the gongs. Anitap festival is an undertaking sponsored by National Commission for Culture and the Arts (NCCA) as part of its campaign in preservation culture and tradition. A worthwhile project inspired by the Benguet Tourism Operations Office under Mrs. Claire Prudencio, who is also the cluster head for Benguet – NCCA. The community of Kapangan in combination of its elders and the youth will come together to perform their unique heritage and aims to display authentic performances of rituals with corresponding dances like Tallak, Temmo, Bayani ritual with Tinmongao dance, Binan-noy / Ginalding and others. A must see cultural show for the public who are at the same time encouraged to come in their own native costume. Be part of this historical event with the people of Kapangan and get the chance to taste the best tapuey or rice wine in town especially made by old folks for this momentous occasion. Kalajo meki dadsak son sikami! For more details please contact Andrew @ 09189419837 / Manny @ 09189420527 / Chris @ 09216043242 & Rose @ 0920431804.

Likewise, NCAA and Kapangan will conduct School of Living traditions like the Kankanaey Buko-making with Gadang Unified Youth Organization (GUYO), the Kankanaey Performing Arts with the Kapangan Ibaloi Kankanaey Indigenous Peoples Organization (KIKIPO) and the Ibaloi Performing Arts with Kapangan Central National High School (KCNHS).

(philian weygan, March 5, 2009)